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Main >> Previous Updates >> August 2006 >> August 14, 2006 >> Article ID 9661
 Aguilera's artistry, not image, takes center stage on new C | Type: Review |
| | Aguilera's artistry, not image, takes center stage on new CD | Aug 14, 2006 |
(AP) - Christina Aguilera, Back to Basics (RCA Records)
Nowadays, it's typical for a teen pop star to mutate into a pop tart - but no one did more quickly, or more scandalously, than Christina Aguilera.
The former Mouseketeer turned multiplatinum diva caused shockwaves with the release of her second album, 2002's Stripped - not because of the album's content, but the image that accompanied it. With tacky extensions, Band-Aid length skirts, wicked sexual imagery and an overall bad-girl attitude, she mutated into X-tina - a persona so toxic it almost overshadowed her formidable talent.
While she insists she hasn't changed - her new album contains the defiant Still Dirrty - Aguilera is no longer shoving it in our faces. On the appropriately titled Back to Basics, the recently wed Aguilera - the album's executive producer and co-writer - is putting the focus back on her music with an ambitious, double-disc set that pays tribute to her jazzy, bluesy influences.
The first disc, primarily influenced by hip-hop stalwarts like DJ Premier, achieves a retro sound without losing its contemporary edge, infusing samples from R&B's early days with thumping bass lines and alluring grooves. Ain't No Other Man, the disc's first hyper single, is a showstopper of a tune, but it's certainly not the only one.
Slow Down Baby, on which Xtina throws cold water on a guy's bedroom dreams, is a sassy, tough-girl jam featuring brassy, funky horn effects; On Our Way and Without You are also sparkling, stirring tracks that layer Aguilera's gorgeous vocals for an almost angelic effect. And Aguilera, whose powerhouse voice is always technically perfect but sometimes emotionally deficient, has never sounded as vulnerable and tender as she does on the mid-tempo song "Understand."
Though the self-congratulatory closer, Thank You (a message to her fans that features them praising her name) is a bit off-putting, the first disc leaves no doubt that Christina, X-tina - whatever she goes by these days - is not only one of music's best singers, but one of its better overall artists.
If only she had stopped there.
Unfortunately, there is a second disc, and it's a big letdown. Paired once again with Linda Perry, who wrote Aguilera's Grammy-winning Beautiful, the pair have difficulty recreating the magic on disc two.
Once again, Aguilera pays homage to her old-school inspirations - except with no musical update. Instead, she attempts to bring the classic sound into today's world by infusing it with a bump-and-grind, sexual tone, and it just doesn't work - songs like Candy Man and Nasty Naughty Boy sound like they're from some tacky Vegas revue. And even when she abandons the boogie-woogie vibe, she still stumbles, as on the overwrought weeper Hurt.
But she does end on an up note with the melancholic The Right Man. Buoyed by a dramatic string section, Aguilera welcomes her betrothed while saying goodbye to her old demons and insecurities.
In essence, that's what Aguilera has done on Back to Basics. By exploring the roots of her musical persona, she finally realized she never needed to rely on a caricature to draw attention or express herself - her words and voice speak loudly enough. |
 Source: AP Through Canada.com | |
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